Archive for January, 2017

Halloween Double Feature: ‘The Mist’ and ‘The Thing’

January 17, 2017

‘Science fiction (ooh ooh ooh) double feature
Doctor X (ooh ooh ooh) will build a creature
See androids fighting (ooh ooh ooh) Brad and Janet
Anne Francis stars in (ooh ooh ooh) Forbidden Planet
Wo oh oh oh oh oh
At the late night… double feature…picture show

I wanna go-oh-oh-oh…’

– lyrics from ‘Science Fiction/Double Feature’ from ‘The Rocky Horror Picture Show’.

Ok, so our selections weren’t quite as schlocky as ‘Plan 9 From Outer Space’ or ‘Forbidden Planet’, but in a Club Moofie first, we celebrated Halloween with a double horror Moofie extravaganza!

I can only offer impressions gleaned from the rest of you as my own constitution was not strong enough to withstand the various bursting body parts of these films. Feel free to comment further if you wish!

Firstly, a big ‘thank you’ to Beck for a sensational Mexican feast to accompany our discussion. Special mention must also be made for the extra special effort several members made with their attire! We had one scary-haired lady with a big knife and small hat, one Wednesday Addams, two very bloody and convincingly-gashed victims from ‘The Mist’ and one tiny wee girl with a slightly blood-stained tutu.

Good work people!

Also, a special commendation to Wendy who endured one of our gory double on the same night as a bout of food poisoning – not ideal watching in this scenario, but bravely done, Wendy, bravely done.

So without further ado or bloodshed, here are your thoughts…

The Mist

The Mist Poster

Based on a Stephen King novella, ‘The Mist’ starts with a fitting visual cross reference to our other film of the evening, ‘The Thing’: artwork for both films was created by Drew Struzan – we are so good people! We didn’t even try to tie those two together!! This film was nominated by Andy, and was most remembered by him for it’s distressing ending. However, on re-watching, he was impressed by how the director loaded the film with drama and it was not just to do with monsters. This was echoed my many comments from the rest of the group – that the film had many levels of intensity, not just alien and visual, but emotional and human too.

It was clear that the characters, due to the anxiety and fear produced by the situation forced upon them, became just as scary and alien as the monsters – if not more so in some cases. It’s easy to see these themes working in the context of broader society too (remember: viewed in the same year as the Trump campaign…)

All in all, the film was a surprisingly tense and relevant film for 2016, and much more than your average horror film.

 

Quotes:

On the ending:

Wendy: ‘Couldn’t they just have waited for a bit?’

Ray: ‘Why couldn’t they have used the exhaust for monoxide poisoning?’

Jodi: ‘Or petrol?’

 

CJ: ‘Absolutely devastating ending. I hated it at first – so gut wrenching, but I quite like it now.’

 

***

Paul: ‘ I saw it at the cinema and thought: ‘Oh my God, that was so horrible – Oh my God, that was so AWESOME!’

Paul: ‘Seeing it was a real shock – but a good one. It leapt into my top 10 movies…of all time. The noughties were unremarkable for films like this – not like the 90s.’

Paul: ‘I like the unexpected. I was surprised when the girl died.’

 

***

On the special effects:

Paul: ‘ They were pretty bad, right?’ – Paul

Andy (hurt): ‘Nooo!’

Olive: ‘Achoo!’

 

***

Paul, to Jodi:

‘Olive was in your lap so we had the subtitles on.’

 

Beck: ‘What’s your score Olive? 4 toes out of 5?’

***

Paul or Jodi? (sorry folks, I forgot to note these two).

‘As soon as he shot them, I knew everything was going to be ok and he would discover he was not alone. It was a good ending. I don’t normally like this sort of ending but it worked here.’

‘ I liked the stories in it. Similar to “Force Majeure” – what would people do in this situation?’

Jodi: ‘I would watch it again.’

 

***

On the religious fanatic:

Jodi: ‘ She was already the town nut case.’

Ray: ‘ She’s now Donald Trump’s campaign manager.’

 

***

Jodi: ‘The son annoyed me. They should have gotten a smaller kid.’

Paul: ‘He should have been cuter. But that’s a minor comment.’

 

***

Wendy: ‘The one with the less dialogue – that’s going to be the one that get’s it.’

 

Wendy: ‘It was those little ones that were just gross; the whole concept was gross.’

Ray, to Andy: ‘I remember Wendy cursing your name at this point…’.

Wendy: ‘Scared or grossed out. Disturbed.’ Wendy

 

Wendy ‘I did not enjoy it. I did NOT enjoy it!!!’

 

***

On the army:

Andy: ‘They were looking for a window, but they made a door.’ – Andy

Wendy: ‘Why did they have to hang themselves? That was so disturbing.’

 

Ray: ‘The human aspect was the most interesting part, not the monsters.’

Beck: ‘The human aspect – what people do when the panic and fear overwhelms them.’

 

***

Ray: ‘Would you have gone? I would have said ‘tough luck lady, I’m all right here.’’

Beck: ‘Again, like “Force Majeure’’ – what would you do?’

 

Ray: ‘ The creatures needed the Mist. I got the feeling the creatures wouldn’t survive without the mist.’

Beck: ‘The mist was the creature!’

 

***

Ray: ‘I thought it was clichéd and schlocky.’

 

Beck: ‘I found the film low-grade scary, but you’ve been thrown at with so much.’

Beck: ‘I didn’t like the film.’

 

***

Andy: ‘Sylv gave it a Mist…’

Beck to Sylv: ‘No Bursting?’

Sylv: ‘Bursting is very bad…’

 

***

Ray: ‘ How would you rate it Jon?’

Wendy: ‘Go by your gut feeling. I did – Urrrggggh.’

 

CJ: ‘The spider things and other insect creatures are so icky – great stuff.’

 

Scores:

Ray: 3

Wendy: 2

CJ: 4

Renny: 3

Jodi: 4.5

Beck: 2

Andy: 4.5

Sylv: Abstain

Paul: 4.5

Olive: 4 toes out of 5

 

The Thing

Nominated by Renny after it was discovered at the now sadly defunct (yet legendary) Stanmore DVD store, ‘The Thing’ divided Club Moofie with its old school special effects. For some, the effects were enjoyed for the very reason that, for others, they were not – the lack of computer-generated imagery. Some members felt that the effects were simply too unbelievable to make the film scary; others thought that the director did a fantastic job creating an atmosphere of isolation and desperation given what he had to work with at the time.

 

Either way, listening to the discussion, and in Renny’s words, this sounded like the perfect Halloween movie: slightly scary, with isolated characters stalked by an unpredictable alien amongst them; gore, unintentional laughs, and some clever, non CGI special effects. The dog also got a mention.

 

All agreed that there was one scene that was particularly inspired, featuring a disembodied head and a dextrous tongue.

I will include a quote from the director, John Carpenter on this here (thank you Renny):

 

‘When I started seeing some of the effects that Rob created—it was one in particular, one particular sequence where Charlie [Hallahan’s] head comes off the table and the tongue shoots out and it pulls across and turns over and grows stalks and walks across the floor—when I saw that I realized a great sense of relief because what I didn’t want to end up with in this movie was a guy in a suit. Even as great as [Alien] was, and Alien was a terrific movie … in the very end, up stood this big guy in a suit.”

Sounds good to me!

Our Halloween films generated an interest side discussion at the end of the reviewing, given that not everyone found them to be scary. The question ‘What is the scariest film you have seen?’ was bandied about – I did not get a chance to note all responses, but here are a few: ‘Nightmare on Elm Street’ (was this Jodi or Wendy?), ‘Never Let Me Go’ (Beck), and ‘Don’t Look Now’ (Andy). I’d like to add ‘The Vanishing’ (original foreign language version). I guess what makes a really scary film depends on how it taps into one’s own personal fears and worries…anyone else like to nominate their scariest film?


Scores:

Ray: 3

Wendy: 3

CJ: 4

Renny: 4

Jodi: Abstain

Beck: A reluctant 0.5. For Kurt’s eyes.

Andy: 4

Sylv: Abstain

Paul: Abstain

Olive: Abstain

 

Quotes:

Renny: ’The perfect Halloween movie.’

Renny: ‘The icey surrounds and complete isolation of the research base ratcheted up the suspense.’

Renny: ’The alien was by far the best character.’

 

***

Ray: ‘It was like Brisbane on a Saturday night.

 

***

Renny: ‘Great effects for the time.’

 

Beck: ‘Is it of an era when effects were just bad?’

Beck, on the effects being too fake: ‘No. Sorry.’

 

Beck: ‘I thought: “Can I do this?” (watch it on my own at 9.30) and then I saw the first scene and I thought “yep, I’m all good here.”’

Beck: ‘I had a little nap in the middle.’

 

Jon, on the poor special effects:

‘I watched the first ten minutes and thought: “I can’t do this”’.

 

CJ: ‘Part of the appeal for me is the style of the special effects. This is all pre-CGI. Its latex, puppetry, and Ribena-blood.’

 

CJ: ‘The head turning into a spider is so gnarly.’

 

***

Beck: ‘I thought Kurt Russell was looking pretty hot.’

 

***

Ray: ‘When the hands go inside and turn into teeth – that was so funny…’

 

Ray: ‘I was amazed at the guy at the beginning of the movie. He was such a bad shot!’

 

***

Beck, on the stupidity of the scientists:

‘Ooh, let’s do it again, let’s test the blood and stand really, really close…’

 

***

Wendy, on enduring food poisoning on the night she watched the film:

‘I felt like I had an alien in my stomach.’

 

***

Ray: ‘Do you think that the aliens landed there on purpose?’

Andy: ‘Don’t care Ray. I just want to see heads slipping of tables and growing legs.’

 

***

Beck: ‘It was just gore. Not scary.’

Beck: ‘This was like…urggg, blahhh glurg…’ followed by lots of random sounds between Beck and Andy.

 

CJ: ‘I love the absolutely revolting ‘blood and guts’ special effects – the excess (of blood and guts) is part of what makes this so enjoyable!’

 

***

Wendy: ‘At the beginning, the scenes with the dog were good. Lots of good acting by the dog.’

 

***

Wendy: ‘I thought it was a better film than ‘The Mist’. It had a better ‘mood’. The music was good.’

Andy: ‘It was John Carpenter on his synthesiser!’

Wendy: ‘The music was Ennio Morricone.’

Andy: ‘In fact, I don’t know what I’m saying…blarg blah blah…’

 

***

Andy: ‘Where did he get the crab from?’

Beck: ‘Maybe he came across a crabstick in the fridge.’

 

***

 

Ray: ‘The acting was better. I thought the characters were good. B-grade horror. Another B-grade horror.’

 

Andy: ‘I loved it. I got a thrill.’

 

***

Wendy: ‘It’s not a normal work place…’

***

Sylv to Beck: ‘Would you normally watch horror?’

Beck: ‘F**k no!’

 

TV Vs Print

January 17, 2017

A big ‘thank you’ to Wendy for hosting this session! I can’t remember much of the evening, but I know it was good, and there was some discussion of horse mugs and the ‘Fast and the Furious’ franchise, judging by some of the more cryptic quotes…

So it’s straight in with our moofies, both featuring news in some form…extra, extra, read all about it!

 

Sweet Smell of Success

Image result for sweet smell of success dvd cover

It’s not often that you see a movie with two great actors playing against type in a gritty, realistic drama, and perhaps even less so when looking at films from the 50s.

I picked this film because I saw it many years ago and it really stayed with me; I had only known Tony Curtis as a romantic lead until seeing this film. Here he shows his considerable acting chops by playing a sleazy, weasily journo, willing to do anything (and I mean anything) to further his career, skulking along the streets of New York rat-like in his hunger. His manipulative relationship he has with Burt Lancaster’s cold, strange and controlling newspaperman involves destruction and desperation from both sides.

In a move away from his on own charismatic leading man status, Lancaster fosters, along with his withering manner to all around him, a disturbingly unhealthy relationship with his younger sister. She appears to be the one thing in his life he most values, yet will ultimately fail to control.

Some CM members were concerned (prior to viewing) that the film may be a black and white howler, but (and thanks for sticking with it, folks) were drawn in by the dialogue and unfiltered nastiness of the characters; others found the same aspects of the drama too off-putting to enjoy the film as a whole.

The treatment of women in the film was particularly difficult to stomach, appearing to be mere pawns in the machinations of powerful men, yet these characters were still finely drawn in their complexities. The dialogue – which, for me, was a huge part of the success of the movie – left some cold due to it rapid-fire approach.

A comment must be made on the cinematography – the choice of black and white film seems to further shade the complexity of each of the characters and their actions, and succeeds in highlighting the grittiness of New York at the time.

The film may be shot black and white, but the motivations of the characters are anything but.

Quotes:

Wendy: ‘He and his sister were a bit weird, right?’

Renny: ‘What was his obsession with his sister? It was a bit perverse wasn’t it, like no man could have her?’

 

CJ: ‘He has a portrait of his sister on his desk like it was his wife.’

 

***

Renny: ‘I hated the sexism pervading through it.’

 

***

Beck: ‘I wasn’t so distracted by the 80s fashions.’

 

Beck, on Burt Lancaster: ‘I thought he was hot.’

 

***

Ray: ‘I was expecting a stinker when Wendy told me about it.’

 

Ray: ‘I started it about midnight on a Wednesday thinking I wouldn’t get through a black and white film, but it was fascinating.’

 

***

Ray: ‘It had the original ‘Bewitched’ boss!’

Jodi: ‘Now on everyday at 2pm!’

 

***

Andy: ‘Every now and then you get one film like this through the (Hollywood) system.’

Andy: ‘They filmed this for grown ups at a time when the cinemas were full of films that were light.’

 

Scores:

Ray: 4.5

Wendy: 2.5

CJ: 3

Renny: 2

Jodi: Abstain

Beck: 4

Andy: 3.5

Sylv: 5

Paul: Abstain

 

 

Broadcast News

Image result for broadcast news poster

Once again, Club Moofie’s serendipitous choice-making brought two great films about the media industry together. A different era, a different approach, a different set of ideals and a different form of public communication of truth (or lack thereof) were the focus for the second film of the evening, ‘Broadcast News’.

For Andy, the film was remembered as depicting a workplace he would have liked to be part of himself – that ideal team – and for the line: ‘It must be tough being the smartest person in the room.’ Indeed, the film itself was probably the smartest person in the room at one time, given it was filmed in the 80s.

Many of our members enjoyed this film. The film explored love, work and the fluid nature of ethical behaviour in the media industry in an intelligent and thoughtful way and featured a strong female lead (relieving contrast to SWOFS). The realistic progression of the central characters’ relationships (rather than a Hollywood pat ending) was also appreciated. And the dialogue and energy of the film were pretty spot on too.

For some members, the character of Tom was dealt with too harshly: in comparison to the pretty nasty stuff that ‘Sweet Smell of Success’ explored, Jane’s treatment of Tom over a few fake tears seemed disproportionate to his crime. However, others felt that for the highly-principled Jane, there would be no diluting her own ethical and moral outlook under any circumstance, not even and perhaps especially not, for love.

I don’t think Jane would have liked Falco or Hunnsecker very much…

 

Quotes:

Andy: ‘I loved it again. The scene with Joan Cusack skidding under the table…’

Andy: ‘William Hurt makes me laugh. Tom – boofhead Tom.’

 

***

Jodi, on Albert Brooks’ sweating:

‘I liked the scene where people were calling up – not to complain, but to see if he was all right.’

Jodi: I loved the line: “I’m in love you – see I buried the lead”.’

 

***

Paul: ‘I might be conditioned to the plot building to something; with this, you didn’t have that, it was more about the characters.’

 

***

Andy: ‘A film for thoughtful people; an adult, thoughtful film.’

 

***

Ray: ‘When the cameras are off, you get a different environment.’

Renny: ‘I liked the representation of teamwork and everyone working together like a family.’

 

Renny: ‘I liked that (Jane) was a strong female character in a man’s world. She was quirky, good at what she did and everyone respected her. I liked that the film was centred around her rather than William Hurt’s character.’

 

***

CJ: ‘It was a bit ‘old school’ with the video tapes fast forwarding and rewinding, but I grew up in the analogue era so I quite enjoyed its dated technology.’

 

Scores

Ray: 4

Wendy: 4

CJ: 3.5

Renny: 3.5

Jodi: 4

Beck: 1.5

Andy: 4

Sylv: 4.5

Paul: 3.5